Kent’s Latest Course on Udemy. Get your $9.99 promotional discount now!

Due to high demand, the enrollment cost of my course “Blues/Rock Piano: Turbocharge Your Playing in 12 Lessons” has gone up.

But…

There’s no need to get the summertime blues about that. If you missed out on the lower price, or you didn’t take advantage of my previous discount offer from March, you can still get a steep discount on lifetime enrollment, via the link below.

I created this discount coupon to temporarily override the Udemy price.

You must use this link to get the offer, and coupons are LIMITED.  Following this exclusive link will take you to the course landing page, with an option to enroll at this very steep discount.

Don’t put this off!

Kent

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Video: Ray Charles “What I’d Say” — Practice your blues licks with this one!

 

What’s up, Blues Cats and 12-bar Chicks?

If you want to get better at your blues piano playing, who better to learn from than Ray Charles? Try playing this video while throwing in your own blues licks on top.  Also try to imitate or paraphrase some of Brother Ray’s.

Here’s some insight to help you:

(1) The key is E.  You can start joining in by using the E-minor blues scale, throughout the whole jam, right hand only.  The E-minor blues scale is E, G, A, Bb, B, D, (E). Even if that’s all you practice here — which is quite valuable — it still helps to realize the following things about the chords involved . (If you’re especially ambitious,  you can try playing these chords in your left hand, while riffing with the right.)

(2) The chords are E7, A7 (added ninth, optional), and B7.

(3) The chord progression is a classic 12-bar blues, in its most basic form, outlined here:

E7 — 4 measures (bars)

A9 (or just A7) —  2 measures (bars)

E7 — 2 measures (bars) 

B7 — 1 measure (bar)

A9 (or A7) — 1 measure (bar)

AND THE TURN-AROUND:

E7 — 1 measure (bar)

B7 — 1 measure (bar) 

Now go back to the top.

(4) Repeat the above progression over and over, as you would in any 12-bar blues.  EXCEPTION: You may notice that the B7 in the turn-around does not happen in the 12-bar introduction, where Ray is playing the left-hand bass line and nothing else.  Here, E7 is implied throughout the last two bars.

(5) In the sections where the band stops, but the singing or soloing continues (called a break, or “stop-time”), the prevailing harmony is four bars of E7, as usual. Each time this break happens, we are sitting at the top of the 12-bar cycle. Therefore, each break leads us right into the A7 at measure 5.

So here’s the video, and have fun!

Learn about the Major pentatonic scale, and its cousin, the “Relative Minor” pentatonic (video lesson)

Learn about the Major pentatonic scale, and its cousin, the “Relative Minor” pentatonic scale (a video lesson). The relationship between any major scale (or key) and its relative minor scale or key is explained here as well, in terms of traditional music theory.

Video: Pentatonic scales, Major and Minor

“A Study in Blues Piano” Course Coupon (starts now, offer expires 3/31/2018)

BLUES ALERT — PLEASE SHARE THIS!

Coupon Expires March 31, 2018* Here’s a handy dandy discount coupon for my “A Study in Blues Piano” on Udemy: Lifetime access for just $12.99. (List price is $24.99.)

*If you missed the discount window, see the bottom of this post for a another link, where you may find this course at a discount as well.

The Course at $12.99 (coupon is automatic)

or use coupon code 88KENT when purchasing.

Please share this with your musical friends!

Expires March 31, 2018 so act now! 

MISSED THE SALE WINDOW?

If you miss the coupon window, the course can be accessed using the link below. Sometimes Udemy sets their own temporary discounts, so you could get lucky!

The course at regular price ($24.99) (may be discounted by the vendor)

 

Learn a 12-Bar Intro for Blues — Plus the Start of a Solo

Hey Blues people!  Wassup from the OG (Old Guy). Let me show you this nice 12-bar opening, to get your jam started. I’ve also included something to get your improv going after the intro.